‘Kun’ Most Awaited Album By the band Parvaaz 

Ask Parvaaz to select a favourite song off their new record Kun and guitar player Mir Kashif Iqbal in real time waves USA off and says, “I would have aforesaid I had a favourite if you asked Pine Tree State regarding the previous album, however not this point. This time, equal energy has been spent on all of them.”

Vocalist-guitarist Khalid Ahamed finds a brand new favorite as he listens to the album over time. percussionist Sachin Banandur deviates to mention the easygoing “Mushq-e-Gul” is that the one he feels they did “really sensible.” The somewhat reticent musician Fidel D’Souza mentions he’s keen to grasp if folks can hear the record as a full. Ahamed responds nervily to his musician, “Any song that you simply hate?” D’Souza smiles and says no. The frontman, absolutely aware that he simply turned enquirer for a second, says, “Very diplomatic answer.”

In the decade about that the Bengaluru dance band has been around – combining Urdu and Kashmiri poetry with prog-leaning, psychedelic and blues intent – Kun comes across as Parvaaz ar at their most arduous however assured selves. The rapport is thus evident that they’re usually finishing every other’s sentences, continuously knowing once one person has finished creating their purpose and if they will respond 1st to an issue. D’Souza says at one purpose, “We spent quite it slow on this album, however hopefully it’s got some new sounds and a few terrains.”

Following up 2014’s Baran, the 10-track Kun is focused around existence and existential crises and therefore the band reflects on the days we have a tendency to board, not essentially creating any specific relevance world, Indian or perhaps Kashmiri problems. Ahamed says, “If [you] see our songwriting, we’ve ne’er given an instantaneous message.” Iqbal adds regarding the method the Urdu, Kashmiri and Hindi lyrics ar positioned, “There’s usually an issue then a solution in real time. generally there isn’t. generally there’s an issue within the starting and perhaps there’s a solution at the top.”

Parvaaz started some firsts with Kun, together with enterprise pre-production for the primary time at their live sound engineer Rahul Ranganath’s Mono Hive home studio. Then, they transplanted themselves to Mumbai’s Yash rule Film Studios with veteran engineers Shantanu Hudlikar and Abhishek Khandelwal (plus assistant sound engineer Mansi Tare) for nearly a month of recording. Ahamed recounts, “We had a session a day at eleven am till eight pm. That was our temporal order for pretty much a month. Wake up, bathe, have breakfast, go and are available back, sleep and get up early following morning. I conjointly believe we have a tendency to work on deadlines well, we have a tendency to tend to figure additional with efficiency.” Musicians like Mumbai-based Sameer Rahat (from dance band Joshish), long-time producer and instrumentalist mythical being Zachariah, Akshay Dhabadkar and musician, musician and producer Leslie Charles (from dance band Thermal and a Quarter) add piano, string and musical group prospers throughout Kun.

Mixed by Mumbai-bred, Auckland-based Zorran Mendonsa, Kun starts off with one among their heaviest songs however (“Harf”), followed by one among their shortest – “Mushq-e-Gul” – and drifts into a signature watching sound on “Soye Ja” and “Shabaan.” Ahamed descends into one among his most fiery vocal parts towards the top of “Shabaan,” that seamlessly transitions into “Zindaano.” that includes Associate in Nursing incendiary tone and pace, “Zindaano” closes go in psych-rock fashion for the melancholic “Katyi Rov,” that takes a shimmering flip with Associate in Nursing instrumental movement.

The band’s oldest song “Mastaan” conjointly finds its method on to a Parvaaz record, one thing they’ve been attempting since 2012’s Behosh EP. Iqbal Associate in Nursingd Ahamed recount however that they had solely [*fr1] the lyrics written in an previous notebook, with the remainder torn out and missing. It’s actually a second mood changer, that includes sing-along hooks that harkens back to a previous version of Parvaaz, however giving one thing new. Ahamed says with amusing regarding finally together with the song on record, “We have to be compelled to create additional happier songs bro. We’d get wholly depressed otherwise.”

The album nearer is that the dust-covered blues-inflected “Dasht-Ba-Dasht,” that keeps the cheerful mood going. The band hints that this song may need a music video. Ahamed notes that there’ll be additional music videos to market Kun. Banandur adds, “The whole album is thus medium, thus it might facilitate to possess a visible narration.” With many shows already within the pipeline, a additional specific live expertise showcase – like their 2016 live album Transitions – is being toyed with.

One thing’s obviously, despite the 5 years it’s taken between albums, Parvaaz say they’ve solely damaged the surface of their potential as music manufacturers. Ahamed says with a smile, “We’ll still say this can be not our Dark facet Of The Moon however. we have a tendency to still haven’t reached there.”